Saturday, July 7, 2007

manhattan

Things about the urban planning, aesthetics, and architecture of new york city:

"Beauty in the European sense has a premeditated quality. There was always an aesthetic intention and a long-range plan. That’s what enabled Western man to spend decades building a Gothic cathedral or a Renaissance piazza. The beauty of New York rests on a completely different base. It’s unintentional. It arose independent of human design, like a stalagmitic cavern. Forms which are in themselves quite ugly turn up fortuitously, without design, in such incredible surroundings that they sparkle with a sudden wondrous poetry."

—Franz, from The Unbearable Lightness of Being by Milan Kundera


"As it happens, then, Manhattan's mathematically rational street grid is actually rotated 29ยบ off the north-south axis – and this angle has interesting astronomical side-effects. In other words, because of the off-center orientation of Manhattan's street grid, you can only see the setting sun "down the middle of any crosstown street" on two specific days of the year: May 28 and July 13. Manhattan is a solar instrument that only works twice."

-- Geoff Manaugh of BLDG blog


"Half past six: more gusts. A furious flurry of wind between the skyscrapers slides away and buffets across the park. Only a car-horn interrupts, like a slap in the face. The wind drops. A peal of bells in the stillness. And always, the siren. A tone higher now. It wasn’t bells. It is my Italian ear that hears it that way. The sheets of metal. A short clatter, like gunfire. A train passes, perhaps the elevated. A peal, prolonged, and then the siren, abrupt. Gone. The sounds change in a moment, they arise and die again immediately. The hum reasserts itself, advancing like a camouflaged army, approaches, closes in, on the alert, ready to take over completely."

--Walter Murch, from "Manhattan Symphony"

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